Anthology 1: Editorial Reviews
Amazon.com
This is the first release in a three-part series that essentially amounted to the three surviving Beatles officially sanctioning the release of tracks that had been bootlegged for years. Thus, you get some of their earliest recordings as teens; the tracks they cut in Hamburg, Germany; their Decca audition tapes (which were rejected); and, finally, alternate takes and works in progress of songs that are now part of the world's consciousness. Oh, yeah, you also get "Free As a Bird," the John Lennon track the other Beatles "finished" in 1995; it's out of context in the company of some of the group's early classics. Beatlemaniacs, of course, love exploring this stuff, but the three Anthologies are hardly a place for beginners to start their explorations. --Bill Holdship
Editorial Reviews
Amazon.com
The most anticipated of the Anthology series, this disc covers what was arguably the Fab Four's most intensely creative period ('65-'67) when they single-handedly changed the course of popular music. Anthology 2 doesn't disappoint. Outtakes and demos show the building of songs like "Strawberry Fields Forever" and "Being for the Benefit of Mr. Kite," while the pure pop song writing of Rubber Soul and Help! is also documented, along with the sonic experimentation that characterized Revolver. Even if the legendary proto-metal jam of "What's the New Mary Jane" didn't see the light of day here, there is plenty for any Beatles fan. --Chris Nickson
Editorial Reviews Amazon.com From the White Album to the end, the last days of the Beatles weren't smooth, which made the fact that they still produced some astonishing music all the more remarkable. In abbreviated form, "What's the New Mary Jane" is finally issued here, and proves underwhelming. For the rest of the set, it's largely down to outtakes and demos, but this time there isn't the same insight of the previous two volumes. Anthology 3 comes dangerously close to the sound of barrels being scraped. That said, it's the Beatles, and in whatever form, the music still shines brilliantly. --Chris Nickson
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